Friday, 29 February 2008

Yossi Lemel - Israeli Political Poster and Activist Artist

Yossi Lemel was born in Jerusalem in 1957. He received a BFA from the Bezalel Academy of Art and Design in Graphic Design, Jerusalem (1979-83). He founded Yossi Lemel Design Studio (1986-88) and was the head of the visual communication department at the College of Arts and Design in Tel Aviv between 2003 and 2005. He has been a partner and creative director in Lemel Cohen Advertising Agency since 2001. He is co-curator of the international traveling exhibition and book Both Sides of Peace: Israeli and Palestinian Posters and a participant in the book and exhibitions The Design of Dissent in New York and The Graphic Imperative in Boston. In addition he has participated in various group and solo exhibitions around the world. His designs are in the permanent collections of the Victoria and Albert Museum (London), Museum für Kunst und Gewerbe (Hamburg) and Musée de la Publicité (Paris). Lemel has received many awards including the Grand Prize at the First Korea International Poster Biennial (2002), a Gold Medal at the Seventh International Biennial of the Poster in Mexico (2002), the Critics Award at the 20th Biennial of Graphic Design Brno (2002)/Czech Republic, First Prize at a competition at the Ministry of Environment in Israel (2000), the Gold Medal at the Israeli Advertising Award for the Campaign of the Year (1999), a mention at the Epica-European Advertising Award (1999), and an honorable mention in the Mons Poster Triennial/Belgium (1995).

--------------------------The Posters--------------------------


Massacre of Albanain Muslims in Kosovo, 1999



Poster for New Year 2002



Racism, 1995


Metaphor of the situation on the Israeli Palestinian border line


Amnesty International 1997 - Depicting the Saturated Western World Facing World Starvation.


Coexistence 2000, Project for the Museum on the Seam




International Aids Day, 1993


Amnesty International 1997 - Depicting the Saturated Western World Facing World Starvation.


Original scene of the conquest of Eilat


Israel, 50th Anniversary, 1998


2002


Amnesty International, Campaign Against women trafficking


Hiroshima 50th Anniversary, 1995


Hiroshima 50th Anniversary, 1995



Reaction to the "progress" in the peace process, November 2000

Monday, 18 February 2008

Global Business Barometer

This global online survey was conducted in November-December 2007.
Of the 1,122 respondents, 42% were based in Europe, 23% in Asia-Pacific and 19% in North America (US and Canada).







ANOTHER BIG ISSUE ON CSR is Climate Change:

Government proposals for strengthening the Climate Change Bill
February 2008

The Climate Change Bill completed committee stage in the House of Lords on 4
February. In light of views expressed and following further consideration, the
Government has provided a comprehensive response and tabled a number of
amendments to the Bill to further strengthen the provisions, underline the UK’s
leadership role and increase Government transparency and accountability in tackling
climate change.

2050 Target: Statutory Review by the Committee on Climate Change
The Government’s proposed long-term target is CO2 reductions of at least 60% on 1990
levels by 2050, and as the Prime Minister announced last autumn, the Government will
be asking the Committee on Climate Change to consider whether this target should be
tightened up to 80% as it considers its advice on the first three five year carbon budgets.
The Committee will have the independence and the expertise to provide the best-quality
advice on the level of the 2050 target, and this review will ensure we have a full,
credible, analytical basis for decisions on the level of the 2050 target.

For further reading follow the link about this article > Department for Environment, Food and Rural Affairs

However the government and the companies are planning to reduce the CO2 there is a discrepancy. Let me show you what is it.

One of the biggest industrial polluter Drax, the largest coal-fired power station in the UK.



Drax the Destroyer Drax produces over 20 million tonnes of CO2 a year. There are more than 100 countries that produce less. Knowing there is no way they can defend their position positively, Drax try to downplay it. They say they take our environmental responsibilities very seriously, explaining how they are a clean and efficient coal-burner. Coal generates far more CO2 per unit of electricity than any other fuel; proudly being the least polluting coal power station is like proudly being the least murderous serial killer. This might sound like overstating the case, but as climate change extends deserts, submerges or dries up fertile lands and provides new opportunities for epidemics, willful climate change is indeed akin to mass murder.


Drax burns 13 million tons of coal a year. There is nothing clean about that. Burning coal has no place in a society that wants to avoid catastrophic climate change.
They trumpet their mixing coal with biomass fuels to cut down on their emissions. What they don't mention is that their use of biofuels peaked at a mere 2.5%.



Despite saying Drax uses biomass as part of continually looking for ways to improve its business and environmental performance, in March 2006 they slashed their biomass use by 90%. So it's now 99.75% coal. Cutting your green fuel in favour of the most CO2-intensive is not improving your environmental performance.
More to the point, there isn't enough land to replace coal with biofuels. As oil and gas become more expensive, so the agri-chemicals they provide become uneconomical for many farmers. This decreases the yields whilst the global population rises.

The real battle is about change as its coming whether we like it or not. Capitalism loves a good crisis. The crisis of climate change provides an opportunity to change the world, to sweep away existing barriers to growth and to realise new profits. Markets for carbon and the farce of carbon-offsetting are ingenious new ways to make profits. It’s hard to see them delivering 90% cuts in carbon dioxide emissions before 2050. But easy to see them delivering bumper profits, insane inequality and a PR-disguised drift towards climatic catastrophes.

Our responsibilities as designers:

"Our discussion on the ethics of designers always gets impaled on the issue of whether a client’s desire for profit can be reconciled with our ethical desire to do no harm. Or, put another way, can we serve a client and the public at the same time?" Milton Glaser.

As a designer we have to be honest. What ever we are working on we need to find out how we can do our job in an objective way. We have to thing about sustainability. Not to cheat on people. And as an individual we must show/inform public whats going on in our planet. Show them the reality behind the virtual.

Corporate social responsibility

What is CSR :

A brief information:

It is a concept whereby organizations consider the interests of society by taking responsibility for the impact of their activities on customers, employees, shareholders, communities and the environment in all aspects of their operations. This obligation is seen to extend beyond the statutory obligation to comply with legislation and sees organizations voluntarily taking further steps to improve the quality of life for employees and their families as well as for the local community and society at large.

And its all about to protect environment and human... A company has to beaware of their waste, materials that have been used for to produce a product, analysis for how healthy what they are doing there are so many examples that i can include to csr identification. Sustainable Development Strategy every company small or big has to know this statement very well.



According to this statement i can say that M&S has a good CSR policy. As in the lobby at the London headquarters of Marks & Spencer, one of Britain's leading retailers, the words scroll relentlessly across a giant electronic ticker. They describe progress against “Plan A”, a set of 100 worthy targets over five years. The company will help to give 15,000 children in Uganda a better education; it is saving 55,000 tonnes of CO2 in a year; it has recycled 48m clothes hangers; it is tripling sales of organic food; it aims to convert over 20m garments to Fairtrade cotton; every store has a dedicated “Plan A” champion.

Johnny Hardstaff

In fast growing industry Hardstaff

Hardstaff are a cross-disciplinary design team led by Johnny Hardstaff. Represented by Ridley Scott Associates, Hardstaff have directed and designed innovative moving image work across a broad spectrum of both commercial and non-commercial strands of the visual arts.

Mass-media clients include Orange, Radiohead, Toshiba, Sony PlayStation and the BBC amongst others.
Hardstaff work has been broadcast worldwide and exhibited at major museums of modern art and cultural institutes including Tate Modern / NFT / ICA / Laforet Museum (Tokyo) / Museum of Contemporary Art (Chicago) / ACMI (Melbourne) / MOMA (San Francisco) / V&A Museum (London) and the Palace of Fine Arts (San Francisco).
Moving Image recognizes and references new synergies, which are changing society from a literary to a visual culture and allow the onlooker to evolve into 'owner’, initiator and author. Gives the opportunity for eye catching and dream like scenes to be produced in this new media industry.

Below there is an example of the new industry in 2 sections 1st one is 2 sketches. 2nd one is the movie from sketches.


SKETCHES



MOVIE


Wednesday, 13 February 2008

One Dot Zero London

Onedotzero is a hybrid organization: a cross-media production company and an acclaimed international network of events. pioneering in its vision, onedotzero champions and explores new forms of moving image, celebrating the next generation of creators. its activities range from a dvd label to events, education to publishing, and consultancy to productions.

onedotzero was conceived at the start of the desktop digital revolution in the mid-1990s out of a desire to explore moving image across single screen, interactive and live audio-visual work. today, onedotzero remains the site for contemporary creative collisions, and is committed to providing a home for visionary moving image experimentation.



Saturday, 9 February 2008

Moving images

Matthew Barney: Hailed by The New York Times as "the most important American artist of his generation," Matthew Barney has created a series of recent art films that offer some of the more striking images seen in cinema today, often with himself in a lead role. The recent "Cremaster Cycle" films, and now "Drawing Restraint 9," are films that exist as part of bigger artistic works encompassing sculpture, performance, and video.

There he is.....



He is one of the pioneer in his area Moving Image....



These images are from the film scene Cremaster by Matthew Barney.